Posts filed under Writing

Lessons Learned from The Little Prince

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

I recently finished copying Antoine de Saint-Exupery’s The Little Prince. It took me several years to do it, mostly because I didn’t work on it regularly. Don’t worry, this won’t be a book report about The Little Prince, but rather what I learned along the way.

The right book matters - I originally started copying an Italian translation of The Little Prince (“TLP”), but my Italian wasn’t very good back then (I am closer to intermediate these days), so it was pretty discouraging to write something I didn’t understand. It was so much better once I decided to give it up and switch to an English version instead.

What also improved the experience was that it wasn’t anything like the other book copying project I had started prior to TLP. Some of you may know that I’ve been copying Meditations by Marcus Aurelius in a typewriter font. I started Meditations in late May of 2020 and by the time August came around, doing primarily Meditations was kinda driving me nuts. Meditations is a difficult book to read and follow, and writing it in typewriter requires me to focus and slow down a lot, so it is fairly brain-intensive. TLP, on the other hand, is a very easy read and writing in my cursive at mostly regular speed was quite relaxing.

In addition, TLP is a good length for copying. For reading, it is a short book. But for copying, it’s long enough that it takes some time and effort to finish, but not so long that it ever felt laborious. I liked that the chapters were fairly short too, but I stopped whenever I finished one or a few pages, regardless of whether the chapter was done. If you’re thinking about starting a project like this, I’d suggest something short, like the lyrics from your favorite album, or a short children’s book, instead of Lord of the Rings or War & Peace, lol.

Related to this is that having the variety was good for me. I’m sure I could have made a lot more progress on Meditations if that was the only thing I worked on. But I’m also fairly certain that I would have given up on it too. Having several projects makes it more fun for my squirrel brain because I can work on whatever suits my mood that day.

The right notebook matters - When I started TLP, I was using the Hippo Noto A5 “slim” and I quickly discovered that I disliked it. No, I take that back, I HATED it because I realized that I really didn’t like super thick notebooks, and the Hippo Noto is 500 pages thick!! The A5 slim size meant that my hand was constantly “falling off the page” because it took half a sentence to get to the end of a line, and then the edge of the notebook would be digging into my hand. Ditto for writing on the bottom ⅓ of the notebook, which also got messier because my hand is falling off the edge. I got through 36 pages before I gave up. This is not to disparage this particular notebook, just that I realized that this size/format is not for me. Discovering what doesn’t work for you is just as valuable as finding something that does.

Example of “not right for me” notebook.

Side note: I shelved this notebook for ages wondering what I would do with a notebook that had 464 pages left. Ever since I decided to just use it as scratch paper, I’ve been going through it so quickly! I use it when inking up a pen to make sure it’s writing, I occasionally make word art, or figure out the order of my next Currently Inked spread. I’m sure some folks feel that it is sacrilege to use old 68 gsm Tomoe River this way, but I’m much happier using instead of having it sit on my shelf, taking up space.

I am getting much more use out of this notebook now!

Size matters. Once I gave up on the A5 slim, I decided to use something I hadn’t used before: a B6 notebook from Galen Leather. B6 is not as common as the smaller A6 (like Hobonichi), or the larger A5 (which is the size of most of the “regular” notebooks/journals like Leuchtturm, Rhodia, etc.). It’s a really nice size because it’s neither too big nor too small. It was easy to make progress and finish a page without expending a lot of effort. While B6 was perfect for this project, I don’t think there is a perfect size that fits all projects, so it’s always good to experiment. But if you’re not ready to randomly pick a size, you can try different loose leaf papers to see what size you might want to work on for your project.

Dot? Lined? Gasp….BLANK??? - Picking the Galen notebook also meant that I was going to use a blank notebook. I usually go for dot grid (for bullet journaling), or French or Seyes-ruled (for handwriting practice), so blank was uncharted territory for me. I knew that I couldn’t write straight naturally, so I printed a free guidesheet from The Well-Appointed Desk.

I printed this on letter size paper and trimmed it to fit the notebook.

Guidesheet in action.

I have since made guideshets in different sizes and line spacings for various projects. I’m now using an A4 one to use with the Yamamoto Paper Pack for writing letters. If it wasn’t for this project, I don’t know that I’d be touching my blank paper stash very much, so yay!

Some Tips/Tricks/Hacks

Washi tape for the win! - After printing my guidesheet, I covered the backside with washi tape, which adds a nice little cushion and also keeps the guidesheet from moving around underneath. The washi tape isn’t sticking to the page below, but the texture from the tape keeps the sheet in place.

Pro tip: use washi that has uniform thickness so your guide sheet isn’t bumpy. I used washi that came in a set, so it was also color-coordinated!

E-Books are worth it - Aside from not needing to prop open a physical book, using an eReader (Kindle app, in my case) means you can (1) see how far along you are, either by percentage or by page, (2) change the font, and more importantly (3) change the size of your font! With Meditations, I can only read a couple of words before I write them out because it takes so long to write them, so I use a much larger font so I don’t lose my place. Since I’m writing a lot faster with TLP, I can read more words before writing. I use a smaller font so I can also see where the line breaks are. Pro tip: If it’s not an in-demand book, you might be able to borrow it from your local library via the Libby app (or other similar apps).

Print out pictures - I can’t draw but I really wanted the illustrations from the book, so I used the Kindle Reader on my computer and pasted images into Word, resized them, and then printed them out on label/sticker paper.

I can’t even draw this - Printer to the rescue!

Single sheet paper cutter, the tool I never knew I needed - There were a few instances where I messed up. Like royally. Like when I was writing on every other line and was like wait, what am I doing?!? Or when two pages stuck together and then I had a blank page in between. Enter the single sheet paper cutter! Thanks to Pen Addict Slackers for recommending this Olfa Top Sheet Cutter!! In the past, I would have either ripped it out, or use scissors to cut it out, but this cutter’s blade barely sticks out, cutting just one sheet! I used it like any other straight blade and held it against a ruler so it wasn’t crooked.

The Olfa Top Sheet Cutter.

Teeny tiny blade.

Let it go! - Channeling my inner Elsa when mistakes happen, which they are bound to do. You can do one of two things: (1) Ignore it and keep writing, which personally drives me nuts, or (2) strike a line through it and keep going. The messier you make the cross out, the more noticeable it is. I look at it as a metaphor for life: mistakes happen, the more you futz with it, the more you see it and the more annoying it gets. But if you can cross it out, you have addressed that (1) yep, you made a mistake, (2) you’ve dealt with it, and (3) you’re moving on. But if ignoring the wrong word or misspelling works for you, then do that! Either way, it’s fine and you can Let It Go!!!

Looks pretty good, right?!

Take a closer look and you’ll see a simple cross out that you might not have even noticed.

Along the same lines, it would drive me nuts to start a new page only to discover the chapter was over in a line or two. Decided to just go with it and use the same pen for the next page too - that was kind of freeing. Ditto with what I did in the picture below.

I turned the page and there were just 2 words left in the chapter so I started the chapter in the middle of the page and it turned out just fine!

Random thoughts I wrote in cursive for most of it (with the occasional “italic”) and I really like the consistent look of the finished product. I plan to switch it up with different styles for the next project.

Writing has always been meditative and relaxing, and this project was no different. It started during an especially stressful time, with the pandemic, lockdown and virtual schooling, all while living in an apartment while the house was being remodeled. I’m so glad this activity helped me de-stress and relax.

I have finished notebooks before, after all I’m on my 10th A5 notebook for bullet journaling and have kept diaries many years ago, but finishing this project was different. There’s something about starting something and working on it until it was done. As a chronic project-started but not chronic project-finisher, I was really proud of myself for finishing this and am even more motivated to finish my other projects.

I recently saw Yunus Prens (of Galen Leather) and showed him my completed notebook. Galen Leather has been tagged in every IG post that I’ve made for this project and he was so happy and proud to finally see this notebook in person! It made me feel pretty happy and proud too! You may not get this opportunity, but be proud and share your completed work - it’s a big deal and you deserve to show it off!

One of the highlights from the Atlas Sidewalk Sale was showing Meltem (Yunus’ fiancée and Galen Leather’s nib grinder) this page where I used her cursive italic grind on the Kaweco Sport. She was so happy to see the writing in person!

Now that I’ve finished writing The Little Prince, what’s next? I’ve already started writing out an Italian kids book (meant for 8+ year olds, lol), which I view as a different kind of project because this is more about learning the language and I’m already understanding more words without looking them up.

More Mediations, which I’m happy to report is 52% done! This project is definitely going to take a long time before it gets done, but this continues to be a meditative part of my day, and knowing that I’m past the halfway point is very motivating.

Hamilton - I keep telling myself I’m not gonna throw away my shot but my motivation has waned significantly on this one because writing out each character’s names a bajillion times per song is so not appealing. But, having finished TLP, I’m more motivated to keep working on it! Maybe I’ll even finish before Meditations!

As soon as I make more progress on Hamilton, I will be picking another book in English to copy and plan to use different styles instead of just cursive throughout.

Here’s a little IG reel of the completed project. Hope you enjoyed the posts and my journey - thanks for following along!

(This post contains an Amazon Affiliate link.)


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Posted on September 20, 2024 and filed under Writing.

Metamorphosis of a Book

(Sarah Read is an author, editor, yarn artist, and pen/paper/ink addict. You can find more about her at her website and on Twitter. And her latest book, The Atropine Tree, is now available!)

My new book, The Atropine Tree came out on Tuesday and I am very excited about it because this book is extra special. One of the reasons this one is so special is because you, pen fam, were right there with me all along the way.

Let's think back in time. No, further than that. Even further--books are long and publishing moves slow, okay? Go back to this post in December of 2017, when I had just finished my first NaNoWriMo post for the PenAddict blog. I discuss my use of the Graphilo planning notebook and the Barnes & Noble Italian Leather drafting notebook there--both excellent choices that have stood up to years of revisions and edits. But that project has now molted several times, shed its old skin, and assumed its final form--an actual book that is now released into the world.

If you look at any of my writing posts from the past six or seven years, you'll often see that Graphilo notebook in my stack. It's where I recorded all my editing notes. I first reviewed it in October of 2017, right before NaNoWriMo started. Between those posts, in November, I wrote The Atropine Tree. Well, most of it. It's not 50,000 words, it's almost 90,000 words. I needed more words to fit all the ghosts in.

The first draft was longer than the B&N notebook, so some extra chapters ended up in the planning notebook, which was fine. I filled all 381 pages of that notebook.

Then I typed up the draft, which came to 286 typed pages. A lot more got added in edits. I tend to draft very economically, and my later drafts always end up much longer than the originals. And in this case, I added another 10k words and a whole side-plot AFTER the novel had been accepted for publication.

I signed a publishing contract for this book on March 3, 2023. The process of editing, waiting for cover art, layout, etc. took over a year--which is actually faster than average.

Just last week, I got to hold the finished book in my hands for the first time. That's always a magical moment. I can reflect back on how I spent a good part of 2017 reading about poisons and jotting notes in my planning notebook, then that wild month of quickly drafting, then more writing, then some more, then years of edits and waiting and submitting and waiting, then acceptance, then waiting.

Basically, there's a lot of waiting involved. Even more waiting than writing. But it's all worth waiting for. And I hope you enjoy the new book! Thanks for keeping me company on the journey. You are all excellent writing companions. Which is good, because I have two more books I need to finish writing this year. So let's ink up some pens, shall we?


Enjoy reading The Pen Addict? Then consider becoming a member to receive additional weekly content, giveaways, and discounts in The Pen Addict shop. Plus, you support me and the site directly, for which I am very grateful.

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Posted on July 18, 2024 and filed under Writing.

A Whirlwind Away from the Whirlwind

(Sarah Read is an author, editor, yarn artist, and pen/paper/ink addict. You can find more about her at her website and on Twitter. And her latest book, The Atropine Tree, is now available for pre-order!)

I was able to escape the tornado wreckage for a week to attend the 2024 StokerCon convention--the annual gathering for the Horror Writer's Association. I go every year, mostly to see my spooky fam, the Halloween People, as my friend Kevin's children named us. But it's also a wonderful opportunity to network, gain new education and skills, and a place to meet your heroes. This year's convention was particularly good, and the biggest one to date. And it didn't hurt that it was held in San Diego, which is a very beautiful place.

At the convention, I gave a reading, a signing, participated in two panels, and helped to hand out awards at the Bram Stoker Awards ceremony on Saturday, June 1st, which also happened to be my birthday. Best birthday party ever! The ceremony is one of the convention highlights. We call it Horror Prom, or the Horror Oscars, and everyone gets dressed up and has a lovely time. My short story collection Root Rot was nominated for an award this year, and while it didn't win, the award went to one of my biggest heroes, Gemma Files, which absolutely delighted me.

I signed a lot of copies of Root Rot over the weekend, and I had some thoughts about the best pens for book signing. I sometimes had to sign with ballpoints, which just felt wrong. My fountain pen I brought for signing ended up way too feathery for the task. I did a lot with a regular Sharpie, which is the pen of choice for most authors, and it worked quite well. But the best one--the most ideal pen I found for book signing--was a Metallic Sharpie. The Mysterious Galaxy Bookstore was the official bookseller of the convention, and they had a tower of copies of Root Rot for me to sign. They let me pick from a selection of Sharpies, so of course I went for the sparkly one. And it was perfect. So much so that I'm going to get some for myself for this very purpose. My new book, The Atropine Tree, releases in just four weeks, so I'll be signing more towers of books soon!

That's really the only stationery thought that I had for the whole con. I was so busy I never even got my notebook out of my backpack, otherwise. But while I was running around the convention like a fast zombie, I did manage to escape a few times.

I wasn't going to go all the way to San Diego and not see the place that claims to be the most haunted house in America. That would have been silly. The Whaley House was indeed lovely, but not as spooky as I'd hoped. Still a fantastic museum, well worth the visit. I also wasn't going to come all the way to California and not see the ocean, so I spent an hour strolling along Mission Beach, watching waves, observing strange seaweeds, and eating what can only be described as California food, which I didn't know was a thing until this trip. Very enjoyable.

And then it was over, like a whirlwind, and it was back to my home, which is still suffering from the whirled wind. But progress is being made, and there are signs that I might be able to return to my hobbies again soon! Which is good, because the writing deadlines only ever seem to speed up, and my notebooks are calling.


Enjoy reading The Pen Addict? Then consider becoming a member to receive additional weekly content, giveaways, and discounts in The Pen Addict shop. Plus, you support me and the site directly, for which I am very grateful.

Membership starts at just $5/month, with a discounted annual option available. To find out more about membership click here and join us!

Posted on June 13, 2024 and filed under Travel, Writing.