(Sarah Read is an author, editor, yarn artist, and pen/paper/ink addict. You can find more about her at her website and on Twitter.)
The Field Notes Pitch Black Note Books are so simple and so plain. There is absolutely no logical reason for why these delight me as much as they do, but I love these notebooks. They are one of my staples--I used one for my first ever writer's conference notes, and now they're a conference tradition. I have to have one with me for my notes and diary for such events. I associate them with adventure, enrichment, and bonding with distant friends. And now--I can have them in the larger 7.5" x 4.75" size, which I adore and my life feels so complete now.
The notebooks sport a soft cover of duplexed black and kraft cardstock, so they're flexible but sturdy. They have the dusty charcoal outer cover with the Field Notes logo in matte silver, and the inside covers have all the delightful cheekiness that Field Notes specializes in. Reading through them is one of the highlights of cracking a new notebook. I mean, there are gender neutral labels and Ray Bradbury references. There are tips for getting better sleep...or staying up all night. I open this book and know that the people who made it are my people, and I feel their influence on the work--they're bridging a connection between the designer and the user that feels like friendship.
I think that's one of the things that sets Field Notes apart--I don't feel like I've received a product, I feel like I've been passed a lovely note.
But I digress, because notebooks have to be useful, too. And huzzah, it is.
Between those fabulous covers are 32 sheets of 60 lb acid-free paper. They're printed with unobtrusive 6.5 mm lines in light grey. It is all held together with staple binding--the staples are a lovely shiny black.
As with many Field Notes, the paper isn't the best for fountain pens, but it really didn't do too badly. Broader pens and darker inks showed through, and one particularly wet ink bled a slight bit. There is some faint feathering. But overall, it performed well enough that I'll have no qualms using fountain pens in it. I don't mind show-through, or even slight bleeding, so long as I can still read the text. And of course it works wonderfully for pencils, ballpoints, rollerballs, fineliners, and gel pens.
So, while it isn't flawless, it's still perfect. And I'm so glad this is a part of the signature line--that way I can stock up over time instead of ordering an unseemly amount immediately. Which I am tempted to do anyway, frankly.
(JetPens provided this product at no charge to The Pen Addict for review purposes.)
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