Pilot Prera Clear Body Fountain Pen - Calligraphy Medium Nib Review

Well, it looks like I am officially a stub man.

When I first started using fountain pens I was content with European EF nibs like those found in the Lamy Safari. Then I discovered what the Japanese had to offer nib-wise, setting the hook deeper. While those Japanese ultra fine nibs are my daily writers the lure of the stub nib has reeled me in. And, like my standard nibs, the finer the better.

The Pilot Prera is a pen that has been around for years. It is known for its quality build, great feel, and excellent value. I have three solid color barrels that make it into the rotation from time to time, but only when the calligraphy medium (CM) nib came out did I pick up a Clear Body model from JetPens.

Compared to many other fountain pens the Prera is lighter and smaller. It still fits the bill as a full sized fountain pen, albeit near the small end of that chart. This makes it extremely portable, which is one of the main reasons I enjoy it so much.

This review is all about the stub nib though (calligraphy, italic, and stub are not necessarily interchangeable - I use "stub" in the general sense). Checking in at approximately 1.1 mm, the nib is as firm as a nail and writes a wonderfully sharp, yet smooth, line. I talk all the time about finding the proper tools to suit your handwriting style and I have found that stubs fit me perfectly.

My collection of stub nibs is growing fast, and I am searching for more in the 0.9 mm and smaller range. Do any manufacturers have stock nibs in that range, or am I looking at custom only?

Pro Tip: If you like the idea of the Prera CM but not the price tag you can get the same nib in the Pilot Plumix for under $8.

(JetPens is an advertiser on The Pen Addict and I received this product at no charge.)

Pentel TRFS Tradio Mini Fountain Pen Review

When someone says Pentel Tradio this is the pen I think of. Black barrel, windowed cap, and most importantly, angled felt tip. It has been around for years and seems to be the traditional model. Pentel has found a way to dilute the Tradio line with several unrelated models, such as the Tradio Energel, Tradio Fountain Pen (some people refer to the original as a fountain pen too), and the disposable Pentel Pulaman, which uses the original Tradio tip. Is the Tradio name more about the barrel design than the tip design?

I'm confused, but we are not done yet. Say hello to the Pentel TRFS Tradio Mini Fountain Pen.

The Mini takes the traditional barrel design, shrinks it, makes it translucent, and adds a medium steel fountain pen nib. The size of the pen is nice, but I'm not a fan of the grip area. It almost has a convex feel to it. The nib is decent, although not as glassy smooth as the full size model, but it does take short international cartridges, which is a bonus.

All that said, I don't see a need for this pen. Mini fountain pens are a tough nut to crack and no one does it better than Kaweco. They are well made, come in many price points, and have wonderful (and swappable) nibs.

I'm interested to hear from you on this: Do you have a go to mini fountain pen?

My Fountain Pen Education: The Esterbrook LJ

As my knowledge and experience with fountain pens has grown I am finding that my tastes have grown broader. Where before I would only consider a handful of the newest, modern pens I am now looking more and more at vintage models to add to my growing arsenal. Enter Esterbrook.

According to the article on Wikipedia (because everything you read on the internet is true), Esterbrook was once the largest pen manufacturer in the US, producing up to 600,000 pens a day at its peak. How that is even possible in the mid 1900's I have no idea, but we are all benefitting from that prodigious production now. Esterbrook pens provide one of the best values in vintage fountain pens today.

Entry price is one of the main reasons I wanted an Esterbrook. There are many, many options available in the $20-$30 range, and fully restored models go for as little as $40. But honestly, the design of Esterbrook pens is what got me, regardless of price. From bright colors and swirls, to solid black, to Cracked Ice, their range of designs has nearly everyone covered.

I wanted to start with one of the basics, so my friend Thomas sent me one of his to whet my appetite: The Esterbrook LJ Double Jewel in blue. The pattern and color are classic Esterbrook - you will see these pretty regularly in fact. But it was so good looking I went for a similar style when I made my first Esterbrook purchase at the Atlanta Pen Show.

While the vintage look and style would be enough to sell most people I left the best part for last. The amount of nibs available to customize an Esterbrook with is AMAZING! I asked Thomas to try out a stub nib, so he sent along a #9284 to try out. When I bought my own, Brian Anderson swapped in a #9550, an extra fine nib that I have enjoyed. My friend Ana, an Esterbrook junkie herself, sent me the chart in her post "Buying a Vintage Esterbrook", and I also used Brian's reference chart at Esterbrook.net to narrow down my choices. That was much harder than it seems.

Manufacturers today aren't going to go to the lengths that Esterbrook did to make "The World's Most Personal Fountain Pen". Sure, some customization options are available but barely a fraction of what Esterbrook was able to accomplish. If you are looking for a vintage fountain pen to fit you perfectly you need look no further than Esterbrook.