Filtering by Author: Kimberly Lau

2025 Baltimore Pen Show Recap

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

This is my 4th recap of the Baltimore Pen Show (BWI) since writing for The Pen Addict and it is going to sound a lot like the other three before. Here’s last year’s recap so you can compare. I have said that this is my second favorite show (after SF, of course), but there were some differences this year that has me questioning if that’s still the case.

Two of the friendly volunteers that greeted you at the registration desk.

This was also my fourth time working at the Franklin-Christoph table at BWI, at the same location we’ve been, but this year we had a special guest! A A Vacharat, the artist behind several of Franklin-Christoph’s hand-painted pens, was promoting her upcoming book.

A A Vacharat with her F-C creations as well as her book!

This Moth Saw Brightness releases at the end of May 2025, so pre-order now! It is pictured with a Franklin-Christoph Model 66 which she has painted with artwork from the cover.

I enjoyed watching her paint some converters during the show.

View from behind the Franklin-Christoph table at 11:20 am (20 minutes after public entry and an hour 20 after VIP entry). Thankfully it picked up around noon - the main entrance is diagonally at the complete opposite side of the ballroom from us, so it took a while for folks to make their way over.

This is a great show for both newer and veteran pen fanatics alike. Like with other recent shows, there are more folks coming to shows who are newer to the hobby and were attending their first show. Aside from the wide variety of pens, both modern and vintage, there’s also a lot of inks, paper, cards, ephemeral, even ceramics and 3-D printed items and my favorite, chocolate!

Baltimore locals Evan and Julian Rosenberg of Penquisition have so many fun and colorful pen accessories, pen cases from Rickshaw and more!

Super digging these fun 3D-printed fidget spinners that were at their table too!

It isn’t a Baltimore Pen Show if Jinji isn’t there with their chocolates!

In addition to pens, our table neighbors, The Write Stuff LLC, also had fun accessories at their tables, like these cute pins!

...and these stickers too!

I love all these pen trays and accessories from Seypen! He brought his urushi pens too but was still setting up when I snapped this picture.

It’s been a couple years since Tyler from Organics Studiohas been to the show and from the looks of it, he’s getting ready to get back into the ink game again.

Zach (right) and Amy Skogsberg of Skogsy Pens were in the side ballroom. It was good to spend a little quality time chatting with them this weekend! True story, Zach is Amy’s worst client - she is a bookkeeper and she’s always after Zach to turn in his paperwork, but he’s too busy making awesome pens!

*The Friday view of the side room from the Skogsy table looking “back” towards the other side. *

Allie Ozga of alliinthealley is a student at the Maryland Institute College of Art and makes these incredible pieces out of wild clay that she dug from her backyard!

Allie (right) shared a table with Samantha Fouche who had all of these AMAZING 3D-printed dragons, wyverns, squids, etc.! I rushed to this table after an F-C customer showed me theirs!

Congrats to Lauren Elliott on the 5th anniversary of Lucky Star Pens!!

Special editions of engraved and painted Franklin-Christophs for Lucky Star’s anniversary!

Tom Forsythe of Sugar Turtle Studio brought his parents to the show. (Turtle Mom and Turtle Dad were busy helping customers so they weren’t in this picture.)

Last year, there were 7 nib workers at the show and this year, it was back down to 5 (6, if you include F-C’s in-house nib specialist, Audrey Matteson). Damien and Josh were in the front hallway, while Gena, Linda and Kirk were in the main ballroom:

  1. Damien Alomar of All in the Nib
  2. Linda Kennedy of Indy-Pen-Dance
  3. Joshua Lax of JJ Lax Pen Co
  4. Gena Salorino of Custom Nib Studio
  5. Kirk Speer of Pen Realm

Josh Lax working that nib grinder magic.

Linda (left) and Mike Kennedy of Indy-Pen-Dance. Linda is working on nibs while Mike focuses on repairs and restorations.

It’s been a while that the weather wasn’t an issue for any of the days, but as in years past, it was difficult for folks to find parking. I had heard that the hotel rents out spaces for airport parking, which is an issue especially for Friday and Saturday.

An overcast and slightly chilly Saturday morning combined with an already full parking lot made it difficult for some attendees to get an early start.

Francisco Lopez of Hinze Pens is talking through the different models with a customer.

Not gonna lie, this was one of the things I absolutely had to see at the show - the new Benu Pixie! Had to ask for Instagram’s help to pick one cuz they were all so cute!

I don’t think it gets any cooler (or hotter) than this Benu Euphoria Glasog Dragon pen atop this awesome dragon by adopt_a_pals!

It is always interesting to talk with other vendors to see what they thought of at day’s end. Most of the vendors did “alright” on Friday, and some had slightly better Saturday than others, and some had worse Saturdays. This show is usually a “Saturday show”, in that most vendors do really well on Saturdays as opposed to Friday or Sunday, but I’m not sure that was the case this time around. The attendance on all three days, but especially on Saturday, was noticeably lower than in years past. Sunday was a bit of a surprise for most everyone, as it felt a little busier than the typical Sunday slowness. I didn’t speak to a single customer, other than to say “hi, how are you?” until almost 2 hours into Sunday. We ended up having a decent sales day on Sunday, but that was due to some strong sales from a few regulars.

There are tables set up at the end of the hallway (after the ballroom entrance) for folks to take a break, or play with some new purchases, or hang out with friends.

Here’s the view of the hallway from the tables’ point of view. On the right are Cary Yeager and Chris Henline from Truphae.

You can see more people in the ballroom on Saturday, but still not as many on our end of the room.

I got a selfie with the President! The President of Fahrney’s, Drew Brown, that is! Wish I could have attended the Sunday Q&A session with him and Jeff Velker (CEO of Writeside Holdings, which owns Retro 51 and now Fahrney’s).

10 a.m. Sunday morning in the side room and no one was rushing to get to their tables (as vendors or attendees).

The slower Sunday pace gave me extra time to spend at vendor tables.

Larry Dromgoole and Bill Pearcy (from Pilot USA) getting ready for Sunday. It was good to see Larry doing well after an accident last month. Keep up the healing, Larry!

I love the sense of humor at Lincoln’s Leather, but it’s true, they absolutely will give you cool things if you give them money!

Like these awesome water bottles! They also had their collection of leather goods as well as pens, but this is my kryptonite!

*I mean, who can resist water bottles with engraved fountain pen designs?!? *

Ben Stewart of Mayfair Pen Company was enjoying himself as a first time vendor at BWI.

Random thoughts:

  • Free Airport/Hotel Shuttle - Runs for a bulk of the day and night. Super convenient, fast and free. And you can keep tabs on the shuttle in the Marriott app.

  • Book hotel early - The hotel sells out fast, so book your room early next year. The hotel was booked months in advance!

  • Economic/political uncertainty/instability - I heard that online ticket sales were higher than past years, but it was less of a crowd and in general, they spent less. Several attendees mentioned to me that they were newly unemployed, or worried that they would lose their jobs, while others mentioned the stock market/economic volatility. I think that this uncertainty is definitely affecting this hobby. Customers were doing a lot more laps before making their purchases, and I definitely heard more comments about being responsible and buying fewer pens or buying lower priced items (like inks or accessories) instead. I absolutely think we should be spending responsibly whether at a pen show or not, but this might have been the first show in a while where this overall feeling of uncertainty was hanging over everyone like a cloud.

  • Parking lot filled up - Despite the lower attendance, people still had a hard time finding parking. If you can, carpool. If you can’t, come early and prepare to park at other hotel lots nearby. If you’re staying at the hotel, it might be worth getting a Lyft/Uber to dinner so you can keep your parking spot.

  • Lots of classes/seminars/events - I love that this show has classes and seminars though it seemed a little lighter than last year. For example, Lisa Vanness did not attend and therefore didn’t teach her classes/seminars, and Nik Pang didn’t teach either of his calligraphy classes, even though he did attend the show. There were still seminars and classes including Creative Journaling (by Tom Forsythe of Sugar Turtle Studio), Fountain Pens 101 (Pen Boutique), and Basics of Vintage Pen Collecting (David Silber). I also taught my handwriting improvement class on Friday and Saturday. Josh Lax continues to host a “Pen Shows After Dark: Vintage edition” to spread the love of vintage pens, and on Saturday night, Cary Yeager hosted the Pen Shows After Dark raffle and giveaway.

  • Too little, too late:

    • Emails - Last year, I commented on the deluge of emails in the weeks and days leading up to and throughout the show weekend. This year, it was the complete opposite. From August 2024 to March 5, I got a total of 4 emails, compared to at least 12 emails for BWIPS 2024. People aren’t going to the show if they don’t know that it’s coming up.
    • Website updates need to be done earlier and more often - This is something that plagues many pen shows, so it’s not specific to this show. Aside from the list of vendors not being updated early/often enough, vendors are listed randomly, making it hard to find out if your favorite vendors are attending. It also doesn’t include any contact information or links. Last year, I said that they listed brands separately from vendors, and this year, they have noted the distributors as well as the brands they represent, so yay, that’s an improvement. That said, they still listed vendors who had said they weren’t attending the show. There’s more about the website, which I’ll get to shortly…
    • What Social Media? - The first Instagram post for BWIPS 2025 was on March 4, two days before the show. There were a total of 7 posts from March 4 to 7; 5 of them were about classes/seminars, 1 about Pen Shows After Dark, and 1 showing the hallway and side ballroom. I don’t know if they posted stories in the months/weeks prior to the show (I kind of doubt it), but there were zero posts highlighting any of the vendors/distributors who were coming to the show. I didn’t see anything on Facebook either. It’s hard to say how much impact this had on attendance, but social media helps get everyone excited for the show, and makes vendors feel appreciated and that they are getting publicity from the show. Posts can also get shared by vendors and attendees, which greatly extends their 1,600+ follower reach. Can’t share what isn’t posted though (sad trombone).
    • Classes/Seminars finalized too late - I won’t go into the details but TLDR: as of the CA Pen Show, I didn’t know if I was teaching a class because the show website didn’t have the schedule of (any) classes. While at the airport headed to CAPS, I called Bert to find out, but he didn’t know the status since he delegated that task. It wasn’t until Monday Feb 24, less than 2 weeks before the show, that the class schedule was posted. Leading up to this, people asked me if I was teaching, and if so, when, and until Feb 24, my answer was “I think/hope so” and “I have no idea”.
  • Where/How to sign up? - The website had multiple links to classes/seminars, but only one of them had a way for you to sign up. If you clicked on Schedule of Seminars, Workshops, Events BWIPS 2025, you’d see a list of the classes, etc., but no way to actually register for any of them. Clicking on the list only shows you the graphic of the class listing. There were two of these links in the navigation, but nothing in the class listing page directing you to read more about the classes or to signing up. You would have had to go to Schedule of Events BWIPS 2025 (not to be confused with the similar sounding link) to see a partial overview of the classes. I should also add that this link isn’t in the top menu, but on the second menu below the BWI banner, and is practically impossible to see on a mobile browser. Several folks told me they didn’t register because they couldn’t find any way to do so. Even if you somehow managed to find the course description and registration link, the workflow is pretty kludgey (I got this feedback from quite a few folks, as well as from other instructors who heard the same).

On a mobile device, there are two menus, which aren’t super obvious.

This is the top drop down menu, and you’ll see the Schedule of Seminars link.

If you clicked on the above link, you get this page that has an image of the classes, but no links to take you to those classes.

This is the bottom drop down menu - notice that there are two listings for the schedule.

If you click on the Schedule of Events, then you’ll see the listing of the classes by day and also individually.

  • Short notice + navigation/signup challenges + no social media until 3 days prior = low registrations - There was room for 30 students per class and as of Wednesday morning, only 13 and 10 people sign up for Friday/Saturday, respectively. Now, I’m not so full of myself that I expected to sell out, but given the short notice coupled with the challenging navigation, there was no way it could have. Thankfully, more people ended up registering, not just for my class but for others.

Despite the challenges, I had an amazing time teaching classes on Friday and Saturday! (Smiley faces to cover the kids that were in my classes!)

Still deciding if I like round tables vs lecture style layout as they both have their pros/cons. We had fun either way!

  • Pen show flow - I do not envy show organizers who have to figure out where to put vendors, especially for a show that has continued to grow, like BWIPS and CAPS. Both shows had a similar layout, where there are vendors in the hallways outside of the ballroom, and the ballroom doors are locked (on the outside) until you go all the way down 2 hallways. This “forces” attendees to walk by all of the vendors in the hallways, instead of immediately bypassing them at the start. At CAPS, the restricted access also meant limited airflow, while boiled those of us inside. And at BWIPS, those of us on the “far side” of the ballroom saw fewer people, unless they passed us to exit the ballroom. I don’t have an answer to this dilemma, other than to mention that it’s in your best interest, as an attendee, to check out all the rooms, aisles, and hallways as you may be missing some cool stuff.
  • Unrelated drama - Last but not least, several folks (including me) got to witness an unpleasant interaction between a non-pen show person and the bartender on Thursday night. He was yelling, swearing, and making racist and inappropriate comments to the bartender, who was calm and respectful throughout the entire interaction. TLDR, the man caused a lot of ruckus, security was called and eventually, so was the police who came and arrested him. Why am I bringing this up? Because crazy stuff happens at pen shows sometimes, so be careful. But also because there were pen friends who came over to me and others to encourage us to get out of there or head to our rooms because the guy was getting louder and being obnoxious and belligerent. It warmed my heart to know that we’re keeping an eye out for one another. Alright, enough of that.

One of the reasons this is one of my favorite shows is because of the opportunities for hanging out, penabling and socializing. There are lots of tables and chairs in the bar area, as well as couches in the lobby and more couches and tables in the “side area” around the corner/behind the bar.

People were crammed in the side area for Saturday’s Pen Show After Dark with host, Cary Yeager, aka Mr. Fountain Pen Day (right), along with Adam Lolatchy (left).

Adam helped Cary, who picked out the raffle numbers (which were nowhere near my numbers, lol.)

Lots of folks gathered at the tall table to play with pens and check out each others stuff.

Hanging out at the bar, sitting on the floor, we don’t care, we just wanna chat with friends!

Scott Hammer (black hat, looking at the camera) has an amazing pen collection and brought a few of his beauties. He’s not the only pen person in the lobby on a Saturday night!

Fitz, the bartender, is always professional, but also silly and full of personality. Such a pleasure to see him at this show!

So, despite the lower attendance and lower sales from many of the vendors I spoke with, the uncertainty around the economy, especially locally, which affected the overall mood of the show, along with my less-than-smooth experience on the teaching end at this show, I still had a great time at this show. I got to see friends I hadn’t seen in months, or years in some cases, I got to make new friends, and the slower pace allowed me to have more in-depth conversations with both customers and vendors. And the attendees I spoke with also had a great time and from the looks of it, great hauls too! Given some of the hiccups with this show, as well as how well the CA Pen Show went this year, I think that CAPS may now be my second favorite show with BWIPS on its heels. Considering there are still more shows ahead this year, who knows what lies ahead - I can’t wait to find out!

Clockwise from top left: Montegrappa Armonia, Schon Dsgn Monoc (in the vial), 3D-printed dragon-like creature from adopt-a-pals, engraved water bottle from Lincoln Leathers (they engraved @AllTheHobbies at the bottom too), Benu Pixie in Aurora Gold, Esterbrook Coffee Cup, Retro 51 Sprinkle Ops fountain pen, 4 Organics Studio inks, Colorverse 2025 Blue Green Snake and Stellaris (Lucky Star Pens collab). Not pictured are the pens I had tuned by Gena Salorino and the already-eaten chocolates from Jinji Chocolate.

What a great weekend! It’s no wonder that this is still one of my favorite shows. I can’t wait to come back next year! Until the next shows (which will be in May at the Chicago Pen Show and Pen Paper Palooza in Southern California), stay safe and stay inky!


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Posted on March 14, 2025 and filed under Pen Shows.

Paper Plant Co. Shop Visit

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

I hung out for a couple extra days after the 2025 California Pen Show and one of the things I wanted to do was visit some stationery shops. Let’s be real, that’s what I want to do in pretty much any city, lol. One of the places I wanted to check out was Paper Plant Co in Los Angeles’ Chinatown district. They recently expanded their space and now have a separate space for home/lifestyle goods (and coffee!!) next door to their stationery space. Let’s take a look!

Paper Plant Co. Shop Visit

The Paper Plant Co coffee shop/home space on the left and stationery shop on the right.

Can’t wait to go inside! Pro tip: Go do your shopping before you get your coffee/tea so you can take your time, have your hands available to check out the goodies, and not spill!

I love all the red lanterns that were hanging from the ceiling of this entryway.

The shop is pretty compact, but they manage to pack a lot of fun things in the shop.

Look at all of these shelves full of goodies like papers, pens, and more!

Paper, stickers, wax seals, bookmarks…

More stickers, papers, tags, portable scissors, too.

I forgot to get a shot of this table of pens and notebooks so you get a zoomed in picture instead, oops.

Next to the stationery shop is the cozy Home & Lifestyle space, where you can order a coffee or tea and shop for some fun products! Pro tip: If you’re not pressed for time, after stationery shopping, grab a coffee/tea and sit outside to enjoy the Southern California weather.

Inside the Home & Lifestyle space.

Look to the right from the entrance and you’ll find wooden boxes from Classicky, as well as candles, incense, and other fun things for the home.

Look to the left and you’ll see embroidery kits, air fresheners, key chains, pins, etc. There are also cups, brewing equipment, etc. along this wall too.

So many neat things in here, including chocolates packed like sardines!

Since I just came from the CA pen show a couple days before, I kept my haul to a minimum: Multi-sticker sheets by eric small things (you can put them on fabric!), a shop sticker, an exclusive Stalogy x Paper Plant Co notebook, and a Shchi-iro marker that allows you to write on washi tape! I also played with their shop stamps too.

Both of the Paper Plant Co spaces are relatively small, but there’s even more online, so be sure to check out their website too. Paper Plant Co’s stationery space is located at 936 N Hill St, Los Angeles, CA 90012, while the Home & Gifts space is next door at 938 N Hill St, Los Angeles, CA 90012. They are open daily from 9AM - 4PM. They can also be reached by email or by phone at 213-269-9784, and they are on Instagram as Paper Plant Co.

Posted on March 7, 2025 and filed under Store Visit, Paper Plant Co..

Colorverse vs Kakimori - Dip Nib Showdown

(Kimberly (she/her) took the express train down the fountain pen/stationery rabbit hole and doesn't want to be rescued. She can be found on Instagram @allthehobbies because there really are many, many hobbies!.)

I first reviewed the Kakimori dip nibs (along with several others) in my dip nib comparison article a while back, so I was very excited when I heard that Colorverse was coming out with their own version of the dip nib, called the Shuttle nib.

I am using the same methodology for the Colorverse Shuttle nibs as I did last time with the others:

  1. Ink - I am using Waterman Serenity Blue as a baseline for the swatches/writing samples. This is most nib grinders’ preferred ink of choice as it has consistent flow, does not stain and is good for vintage pens. I also picked a shimmer ink to see if it behaved differently. I capped and shook the vial between each test.
  2. Paper - I used a combination of a 68 gsm Tomoe River notebook, a 80 gsm Rhodia graph pad, and the standard sized Col-O-Ring cards made from 160gsm paper.
  3. Cleaning - I have used the steel Kakimori dip nib as my primary swatching tool for the past couple of years, so it has been rinsed/cleaned/wiped many times. I use tap water to rinse between uses.
  4. I use a syringe to gently shoot water downwards towards the tip of the nib.
  5. I do not dip the nib/holder into water and swish for cleaning, so I don’t get ink stuck inside the holder.
  6. Writing - Aside from the name of the dip nib, I tried to write the same text on the different papers so you can see how much writing I could get out of one dip. For the Colorverse nibs, I will write a line without an initial cleaning, so I can see whether it writes on first use. Then I will rinse/dry it before rewriting the line again.
  7. Swatches - I am making a broad line swatch as well as my typical Col-O-Ring swatches with both sets of nibs.

Note: After about 6 months of use, the Kakimori dip pen holder started allowing the dip nib to slide out of the ferrule (the “round thingy” that holds dip nibs in place). I showed a video to Kakimori, who ended up replacing the holder. Unfortunately, the replacement started doing the same thing some months later, so I stopped using that holder. I have also since misplaced it, so I don’t have any comparison photos of it next to the Colorverse holder.

Colorverse Shuttle Nib Box

The Colorverse Shuttle nib is packaged in a black box with holographic logo/design (right), which is then encased in a simple black box sleeve (left). The nib holder is similarly packaged but in a longer box (not pictured).

The Kakimori’s packaging (left) has a very different aesthetic. For lack of better words, I would say it feels more organic, while the Colorverse packaging gives off a very modern, space-like vibe, appropriate for its Shuttle namesake.

The hand marked check matches the rest of the Kakimori’s packaging aesthetic. Easy to see at a glance Colorverse’s brass or steel nib.

Before I get into the nitty gritty, let’s just get this out there ‘cause I know you’re dying to know if they are compatible with other holders. And the answer is YES! Both the Colorverse Shuttle and Kakimori dip nibs fit in standard ferrule nib holders, and yes, both will fit into the other’s nib holders as well! This is great news for folks who already have nib holders for the Kakimori or other dip nibs (neither will work in oblique nib holders).

Colorverse Shuttle aluminum nib in a Tachikawa holder, Kakimori steel dip nib in the Colorverse Shuttle holder, and Shuttle brass nib in a Speedball holder.

You can easily fit a Zebra G or pretty much any other standard dip nib in the Colorverse Shuttle holder.

There’s no denying that the shape of the Shuttle nib is similar to that of the Kakimori, but they are also a bit different. The Shuttle is a longer nib and has sharper channel grooves than the Kakimori. It is also more narrow and pointed, while the Kakimori is a bit broader and more “rounded”. Both of these differences factor into how the nib feels when using them at more extreme lower angles.

Colorverse Shuttle nib on the left, and the Kakimori nib on the right. Both are Brass and are in the Tachikawa holder, which has a standard dip nib ferrule.

Despite using a very light touch at more horizontal angles, the swatches still show “scratch marks” where the nib scratches the Col-O-Ring. I didn’t feel this quite as much on the much smoother TR 68 gsm paper, but neither performed quite as smoothly as the Kakimori.

The Colorverse Shuttle nib (Aluminum) in the Shuttle nib holder (also Aluminum.)

The Colorverse Shuttle nib holder has a ridged grip section, which is neither too smooth nor too sharp. It makes it easy to hold without your fingers slipping. It is slim with a bit of heft to it, unlike a traditional wood or plastic dip pen holder which is very light. As such, it can be a bit uncomfortable for long term writing if you prefer a lighter pen or more girthy grip section or both. This nib holder is the Large model and is 7.4”/187 mm. There is also a Small one which is ~5.6”/142 mm.

Thanks to technology and poor photo editing skills, here is an approximation of the Kakimori holder (left silver) with the Colorverse Shuttle holder (right center). The holders on the left/right sides are from Tachikawa and Speedball.

The Shuttle nib holder doesn’t look like anything more than a ferrule in a ridged-grip long nib holder. The grip actually unscrews itself from the rest of the “barrel”, revealing a brass ferrule which is still attached. When attached, this piece and the grip form a gap which holds the dip nib in place. This brass piece is also detachable from the holder, making cleaning easy if you somehow manage to get ink back there. Unscrewing the section also makes it easier to fit into shorter cases/pouches.

Grip section unscrewed from the nib holder. You can see that the piece that holds the ferrule is still attached to the rest of the holder. It would be cool if you can get grips with different materials, designs, etc.

You can unscrew the ferrule if you need to disassemble it further to put it in a small case or for further cleaning. I wonder if the ferrule is replaceable - that would have solved the problems with my Kakimori holder.

For the writing sample below, the first part was done with the Shuttle nib right out of the box without any rinsing or cleaning. I did a quick wipe with a napkin to ensure no particles would get in the ink.

Header with 4 lines of text before running out of ink. A simple rinse and wipe before a new dip gets an additional line of text. No problems writing cursive or print on the slightly textured Col-O-Ring card either.

Making my swatch line with the Aluminum Shuttle nib. There is less of a curvature of the Shuttle nib, so I had to use a very low angle in order to not cut the paper or make much thinner lines.

Writing samples on Rhodia 80gsm (left) as well as writing at some different angles

This was really hard to do towards the bottom of the page of a super thick notebook, especially for someone like me who is also used to writing at 75 degrees.

One of the things that differentiates the Colorverse Shuttle nib from the Kakimori nib is a small reservoir which stores a wee bit of ink so you don’t have to dip it as often. I dipped it a few times because I could see that it was a surface tension bubble as opposed to ink in the reservoir.

Ink in the nib reservoir.

After dipping and confirming ink was in the reservoir, I managed to write a bit more than 1 page of A5 slim, which is about 3-4x what I got from a non-reservoir dip.

The number of pages you get will depend on multiple things including writing angle (my steep angle meant that ink flowed down faster initially), and how the reservoir is oriented (I had it facing up, but in another writing sample, I rotated it almost face down and got a lot more/too much ink flow).

Like I did with the Aluminum nib above, there was no cleaning of the brass nib prior to first writing. Not gonna lie, I absolutely HATED my Kakimori brass nib, so I was pretty nervous about how the brass Shuttle nib would perform. No need for worry as it wrote right away with zero problems whatsoever!

Header with 5.5 lines of text vs Aluminum’s Header + 4. Clean, wipe and re-dip gets an additional 3.5 lines of text.

Swatch line and Rhodia samples. I had a bit more trouble writing on the Col-O-Ring than I did with the Aluminum nib, which surprised me.

Different angles on TR 68gsm and Rhodia. I rotated the nib a bit while writing at the 20 degree angle on top, hence the drastic line width compared to the Rhodia sample.

After dipping and confirming ink was in the reservoir, I managed to write a few lines more with the Brass nib than I did with the Aluminum nib.

In general, the two Colorverse nibs wrote similarly for me from 45-75 degrees (these were all done as “below reservoir” dips, aka, not super saturated, but with plenty of ink to write with). The widths were a bit more noticeable around 30 degrees and even more so when lower than that.

The angles are approximate and how much ink is left on the nib will also affect its width. Colorverse Brass (top), Aluminum, Kakimori Brass, Aluminum.

Both the aluminum and brass Shuttle nibs handled shimmer without any issues.

Alongside other dip nibs using the same Robert Oster Glistening Orange Rumble ink sample.

TLDR: If you don’t already have a Kakimori dip nib, the Colorverse Shuttle dip nib would be a good purchase, especially if you want to use it more for writing. I had a slight preference of the Brass because the line was just a wee bit thicker and held a bit more ink, though I probably would never use it for more a lot of writing (that’s what FPs are for, lol), But, I liked the Aluminum for writing on Col-O-Rings more than the brass. On smoother paper like Tomoe River, I liked either of Shuttle nibs a bit more than the Kakimori steel nib (and we all know how I feel about the Kakimori brass regardless of paper). However, given that my primary swatches are done on Col-O-Ring cards, the steel Kakimori feels smoother when making the large swathes of ink. You may like or dislike how either nib feels on different kinds of paper (like textured papers or watercolor paper versus Tomoe or Rhodia) or if you plan on using it for writing versus art, etc.

I would hands down get the Colorverse Shuttle nib holder over the Kakimori because I don’t have to worry about the nib eventually sliding out of the ferrule like what happened with 2 of their nib holders. Plus I like the ability to disassemble it in case of inky accidents.

The Colorverse Shuttle nibs cost $42 and $48 for the Aluminum and Brass, respectively. The nib holder in Aluminum costs $75 and $60 for the large and small, respectively, while the Brass holder is $85 and $67. They are priced similarly to their Kakimori equivalents. You can find the Colorverse Shuttle products on the Pen Realm website.

(Disclaimer: The two Colorverse Shuttle dip nibs and the nib holder were purchased from Pen Realm at the 2025 CA Pen Show. All of the other products are my own, including the Kakimori nibs and various holders.)

Posted on February 28, 2025 and filed under Colorverse, Kakimori, Dip Nib, Pen Reviews.